Monday, January 11, 2016

Colour - Go for it!

“Colour is like food for the spirit – plus it’s not addictive or fattening” says Isaac Muzrahi


2016 color trends bring an abundance of variety to suit everyone, even the diehard neutral lovers.  Our Colour of the Year is actually two colours - Rose Quartz and Serenity which are soft pink and blue.   In looking forward to spring we think in color, so it only makes sense to add some of that refreshing color to our homes.  Colour trends in interior décor tend to follow those of fashion runways and this spring/summer is no exception with both fashion and decor very colorful.
Colour is a fundamental and important design element.  When used properly, color provides cohesion of design, and, color themes can evoke different moods or a tone to a room.

Linking rooms enhances any space. If rooms have good color transition and correlation, they have a smooth & harmonious flow. It is essential to create a flow in a house with an open floor plan or one in which rooms connect through wide openings, by choosing colors that relate to each other in a pleasing way. The challenge is to give each space its own identity according to its function and still achieve a feeling of unity. The connection can be as subtle as a recurring color in the fabrics, accessories and furniture in each room, transitioned with wall colors that are closely related and similar in value and intensity. Using unrelated colours in adjoining rooms can make the house feel like a disjointed series of spaces, while colours that relate to each other draw the eye from one room to the next and create that pleasing flow.

Colour affects our emotions and the effective balance of color will provide a harmonious setting, which in turn creates a pleasant “feeling” in the space. Decide on how you want to “feel” in the room - calm or energized, intimate or open, dramatic or playful; the use of different color will promote this “feeling or mood”.  It is also important to look at another factor when selecting colour.
                                                                                                                                    
Lighting is one of the most crucial elements when selecting color.  The room’s exposure; type of light – direct sunlight, indirect sunlight or artificial light; and time of day you will most likely use the room; play a part in your decisions.  Since colour changes when viewed under different light sources, paint and accessories should be viewed in the actual space and lighting where they will be used.

The use of color is the easiest way to transform a room.  This can be done with paint, wallpaper, tiles, fabric, flooring, art & accessories.  Paint is one of the least expensive ways to transform a space. Though more costly, wallpaper has made a large comeback this season, with contemporary, simple patters and graphics.  Colourful accessories can add impact and freshen up a room without breaking the bank. When a space requires a sprucing up, color, no matter where applied, can make the largest impact.

The use of color does not mean you cannot have a neutral pallet. Adding a dash of color to the already neutral palette gives the room a new look and this color dash can be removed at any time.   Keeping large items such as sofas, chairs and draperies neutral and enhancing with colored toss cushions, accessories, lamps, art, etc. adds style to your space.  These small items can be changed by season, or as you tire of them, without great expense.

One of the first things most interior designers will tell you when it comes to color is to determine the paint for your walls AFTER you have selected the more expensive pieces in the room. The reason is simple, always match the paint to the furniture. Paint is one of the least-expensive decorating elements in a room and can be easily altered and changed as needed.  There are more colors available in paint than any other medium available. 

The best way to establish a color palette for your home is to have a starting point or inspiration piece, a painting, carpet, pottery chair, from which to draw out the color. Look for a pattern that appeals to you. Use that inspirational piece and break it down in terms of color “priority" to create your scheme.  Ultimately, select in the color family that appeals the greatest to you, while keeping in mind all the other factors involved – mood, lighting, theme - when making this selection.  Most Important – Have Fun!






Friday, January 8, 2016

Fun in Niagara on the Lake

Cooking class with Jason Parsons

 Wine Tasting - Yum!
 Ice Room at Pellar Estates Winery

SOFA - Universal Design

  1. "Universal design makes things more accessible, safer, and convenient for everyone. Also called "Design for All" or "Inclusive Design," it is a philosophy that can be applied to policy, design and other practices to make products, environments and systems function better for a wider range of people. It developed in response to the diversity of human populations, their abilities and their needs." - The Center for Inclusive Design and Environmental Access   www.universaaldesign.com
  2. "Universal Design ("UD") increases usability, safety and health of environments, products and systems in response to the diversity of people and abilities. With attention focused on the changing demographics, differences in functional ability and preferences are part of everyday life experience. UD represents a paradigm for design of the built environment and products to address this diversity and increase use by all by introducing flexibility, choice and accommodating features to the physical world and business practices." - ThUniversal Design is an evolving concept, and as such, different people have slightly different definitions. We gather here some definitions from leading Universal Design experts and organizations. e Global Universal Design Commission
The 7 Principles of Universal Design were developed in 1997 by a working group of architects, product designers, engineers and environmental design researchers, led by the late Ronald Mace in the North Carolina State University.The purpose of the Principles is to guide the design of environments, products and communications. According to the Center for Universal Design in NCSU, the Principles "may be applied to evaluate existing designs, guide the design process and educate both designers and consumers about the characteristics of more usable products and environments."  
The seven principles of Universal Design are as follows:
  1. Equitable Use: The design is useful and marketable to people with diverse abilities.
  2. Flexibility in Use: The design accommodates a wide range of individual preferences and abilities.
  3. Simple and Intuitive Use: Use of the design is easy to understand, regardless of the user's experience, knowledge, language skills, or current concentration level.
  4. Perceptible Information: The design communicates necessary information effectively to the user, regardless of ambient conditions or the user's sensory abilities.
  5. Tolerance for Error: The design minimizes hazards and the adverse consequences of accidental or unintended actions.
  6. Low Physical Effort: The design can be used efficiently and comfortably with minimum fatigue.
  7. Size and Space for Approach and Use: Appropriate size and space is provided for approach, reach, manipulation, and use regardless of user's body size, posture, or mobility.
Principle 1: Equitable Use
The design is useful and marketable to people with diverse abilities.
Guidelines:
1a. Provide the same means of use for all users: identical whenever possible; equivalent when not.
1b. Avoid segregating or stigmatizing any users.
1c. Provisions for privacy, security, and safety should be equally available to all users.
1d. Make the design appealing to all users.
Principle 2: Flexibility in Use
The design accommodates a wide range of individual preferences and abilities.

Guidelines:
2a. Provide choice in methods of use.
2b. Accommodate right- or left-handed access and use.
2c. Facilitate the user's accuracy and precision.
2d. Provide adaptability to the user's pace.
Principle 3: Simple and Intuitive Use
Use of the design is easy to understand, regardless of the user's experience, knowledge, language skills, or current concentration level.

Guidelines:
3a. Eliminate unnecessary complexity.
3b. Be consistent with user expectations and intuition.
3c. Accommodate a wide range of literacy and language skills.
3d. Arrange information consistent with its importance.
3e. Provide effective prompting and feedback during and after task completion.
Principle 4: Perceptible Information
The design communicates necessary information effectively to the user, regardless of ambient conditions or the user's sensory abilities.

Guidelines:
4a. Use different modes (pictorial, verbal, tactile) for redundant presentation of essential information.
4b. Provide adequate contrast between essential information and its surroundings.
4c. Maximize "legibility" of essential information.
4d. Differentiate elements in ways that can be described (i.e., make it easy to give instructions or directions).
4e. Provide compatibility with a variety of techniques or devices used by people with sensory limitations.
Principle 5: Tolerance for Error
The design minimizes hazards and the adverse consequences of accidental or unintended actions.

Guidelines:
5a. Arrange elements to minimize hazards and errors: most used elements, most accessible; hazardous elements eliminated, isolated, or shielded.
5b. Provide warnings of hazards and errors.
5c. Provide fail safe features.
5d. Discourage unconscious action in tasks that require vigilance.
Principle 6: Low Physical Effort
The design can be used efficiently and comfortably and with a minimum of fatigue.

Guidelines:
6a. Allow user to maintain a neutral body position.
6b. Use reasonable operating forces.
6c. Minimize repetitive actions.
6d. Minimize sustained physical effort.
Principle 7: Size and Space for Approach and Use
Appropriate size and space is provided for approach, reach, manipulation, and use regardless of user's body size, posture, or mobility.

Guidelines:
7a. Provide a clear line of sight to important elements for any seated or standing user.
7b. Make reach to all components comfortable for any seated or standing user.
7c. Accommodate variations in hand and grip size.
7d. Provide adequate space for the use of assistive devices or personal assistance.   http://universaldesign.ie/What-is-Universal-Design/The-7-Principles/



Wednesday, January 6, 2016

Great Kitchens....

Love these kitchens from Atlanta Homes Magazine


Transitional

Traditional

Contemporary

Monday, January 4, 2016

Pantonne Colour of the Year 2016



It's that time of year again when the Pantonne Colour of the Year is introduced.by the Colour Marketing Group. www.colormarketing.org/  This year, a softer take on color for 2016: For the first time, the blending of two shades – Rose Quartz and Serenity are chosen as the PANTONE Color of the Year


Rose Quartz and Serenity demonstrate a balance - the warmer Rose Quartz and the cooler Serenity for a soothing look  I like these colours as they envoke a feeling of spring and are easier to live with than some of the previous Colours of the year..













Gracious Dining

Love this dining room by Barbara Westbrook



Tuesday, December 29, 2015

A few upcoming trends

1. Brown Furniture is Back
Some might argue that brown furniture never went away, but I disagree.  There was certainly a period of time where designers eschewed traditional brown furniture forms for lighter finishes, and most antique dealers will tell you that the market for early English and American antiques grew soft.  That time has past.
2. Lucite, Glass and Brass
Tempering all that dark wood were pieces light as air.  Lucite was everywhere and was used most effectively when accented in brass. Bernhardt’s modern four poster bed was a showstopper.
3. Handcrafted Materials
From small markers to large corporations, I saw a resurgent interest in featuring handcrafted materials.  Tent London was filled with examples, including this very handsome lighting in hand tooled leather.
4. Nature as Muse
Lamps with feather shades and bases crafted to mimic birds legs?
5. Wallpaper As Art
My spin around design events this fall also suggests that wallpaper might be the only art you ever need.  It certainly is not going away, and the days of considering a wallpapered room as too “granny” are long gone.
At Tent London, U.K. designer Deborah Bowness introduced a highly colorful paper that called to mind a super-sized artist palette.   It would make a fine focal point.
from an article by Lynn Byrne.  For images and more information check out this post